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Tibetan architecture contains elements of China and India and has a characteristic deeply Buddhist. So it's a multicultural admirable absorption. The prayer wheel Buddhist, etc., with two deer or dragons, can be evident in almost every abbey in Tibet. The Tibetan architecture can vary yards from the walls of the ring walls in Kham to be aboveboard in Ladakh.

The great affection for Tibetan architecture is abnormal abound houses and monasteries are congenital in cartoons according to the landscape, the bright side of southern sites, and are generally made from a mixture of rock, wood, glue and apple so they can get summaries Architecture with ease.

Little ammunition is accessible to calefaction or enlightenment, as collapsed roofs are congenital to conserve heat, and added that he has a full window to let in sunlight. In the aerial parts, the walls are usually angled at 10 degrees inside and bordering advance common earthquakes.

In addition, Tashilhunpo Monastery, the purpose for which access by the Mughal architectural styles.

The Alcazar Potala recommended a number of important archetype of Tibetan architecture. Contains over one thousand apartments phonetic thirteen stories. Portraits of Buddha statues After the Dalai Lamas are on display. The Alcazar is disconnected in the tower White Alien (which serves as the neighborhoods of authority), and closing Purple Red (which harbors the prelude to the accumulation of the Lamas, chapels, 10,000 shrines, and an all-inclusive collection of Buddhist scriptures).

All decorations — silver statues, frescoes busy, and big ticket cotton curtains – were bought and paid for by donations.

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Most thangkas are painted on canvas. Some are painted on title = "thangka painting"> painted thangka occurs in four stages.

Preparing the Foundation:

The type of thangka under review, the canvas to buy, is made of a fabric material: cotton, linen, and sometimes silk. A finely woven structure made of one piece of cloth is best, because the paint chips off easily with heavy fabrics harder when the thangka is wound. The painted canvas is rectangular, taller than wide, ideally 30inches measuring the average height of 20 inches wide (75 50centimeters). 3:2 f The same height and width can also be found in other formats: 12 by 8 inches (30by 20cm), 48 by 32 inches (120 by 80 cm), 120 by 80 inches (300 cm x 200 cm) for exceptionally large specimens. These proportions in general also apply to the huge thangka – measuring 180 by 130 feet (55 by 40 meters) that hang out side of the wall of the monasteries during the holidays. There also are more elongated thangkas wider than high, with a size ratio of 2:3. The edges of the fabric are folded over twice, instead of fencing, to prevent tearing. Then attached the canvas with Screw four slats are tightly with a string on a wooden frame, and strung it, so it looks like a bottom-up trampoline.The front and back Fabric will pass a sizing of the soul; tail consisting of boiling the bones and skin, often of a water buffalo. After this layer has been applied, polished with a smooth stone or shell. This produces a smooth, even layer of rough or uneven material that works well to draw and paint and keep the paint to seep into the fabric.

Sketching

For guidance, the painter often first establish a coordinate grid in the form of eight lines, two diagonal lines with a horizontal and a vertical axis passing through the intersection, and four lines with the result, the lines are accentuated ink.There separate drawings, templates, available for many of the figures to be painted. They can be transferred to the canvas for puncture holes through them along the contours and the major lines and components. Dust is blown through these holes, resulting in a dotted outline on the canvas. Another technique for transferring data using block prints. The blocks of wood or metal are painted black, the figures are painted in the later stages.

Painting

When finished drawing, it's time of the color phase. The areas of large areas of color is often applied by brushing or writing numbers or syllables in the area concerned. Black, for the moment is indicated with the number two, or the syllable Na, yellow with five or SA. When applying color, a particular sequence is commonly followed. In First, the area farther away, in perspective, the sky's color. Then the landscape becomes narrower, followed by trees, rocks and water. After of this comes the gods and other figures. The throne, clothing, and painted halo first. Light colors are applied before dark colors, and then gold details incorporation.

Framing

Once the painting, the canvas that is released stretchers and framed textile borders. The brocade silk or cut is width set so that the bottom depth of cut is half the length of the painting, the top quarter, and the sides are one-eighth of the length. Still thus, the thangka is completely rectangular frame, but splays slightly toward the bottom, and metal caps are usually slipped at the ends. If a thangka is not in use, but not rolled, it is a fine piece of lamp soot and smoke, and to avoid the image of being visually touched their eyes bye uninitiated. Often, silk curtain shall be yellow with red or blue, or sometimes has a flower movement. About this curtain down two strips of red silk hanging from the very bottom. In the top between these two strips hanging light reading cable with which the veil can be attached. At the top there is a cord by which the thangka can be hung or can be tied together when rolled.

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we have to do with the statue of Kuan Yin we had bought before putting it on the altar?

Its really a matter of superstition, especially for the Chinese Buddhist sect in which to give the statue of a monk or a monastery so they could pray and clean the statue, then give an auspicious date you can come and take the statue home. For me, this practice is really a cultural issue and not part of Buddhism at all, its more Taoist. The best thing is do and the more rational, is a good altar clean clean, put some water as a sign of purity of heart, offers 3 sticks of incense as a sign of the Three Jewels of Buddhism and fresh flowers as a sign of beauty and serenity. Get the family to pay respect at the altar and then on a daily basis offer incense with a pure heart. People bring in Kuan Yin statues for home and business for different reasons, mainly, and without it, for luck. The Buddhist scriptures state that the Buddha mind is found throughout the world and have a statue is simply to remind you of its practices and to be moral and good people. However, I understand the culture and deep-seated belief that when you pray Kuan Yin, please include a prayer for all sentient beings and their own family. Thus, the fate is shared by all.

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How to distinguish between the statue of Sakyamuni Buddha and Amitabha Buddha?

How can you distinguish between the statue of Sakyamuni Buddha and Amitabha Buddha? other (as in the Kamakura statue of Amitabha)) or the mudra of exposure, while the earth, touching mudra (right hand pointing down on the right leg with the palm inward) is reserved for a single sitting Sakyamuni. When standing, Amitabha is often shown with his left arm bare and extended downward with thumb and forefinger playing, with his right hand outward also with thumb and forefinger touching. The meaning of this mudra is that wisdom (symbolized by the raised hand) can be access to even the lowest beings, while the outstretched hand shows that Amitabha's compassion is directed at the lowest beings, who can not save himself themselves. When not depicted alone, often presenting Amitabha with two assistants: Avalokitesvara (Guanyin), which appears on his right, and Mahāsthāmaprāpta (DA Shì Zhi) shown on the left. In Tibetan Buddhism, Amitabha is red (red is the color of love, compassion, and emotional energy). Your address is west and what is conceived as the Red () sunset. Its emblem is the single lotus flower. He is thus associated with the attributes of the lotus: gentleness, openness, and purity.

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